PCC Sylvania Performing Arts presents:

Magic Theatre

Winter 2026
Directed by Julianne Johnson Weiss, Produced by Dan Hays

Performances

• March 4-8: 10am-11am
• Sat and Sun, March 7 and 8 at 12-1pm as well!
• Tickets:
  

12 Angry Jurors
by Reginald Rose

Performances

Spring 2025

• Thursday, May 15, 11am – pay what you wish
• Thursday, May 15, 7pm – opening night!
• Friday, May 16, 7pm – audio described
• Saturday, May 17, 7pm – ASL night
• Sunday, May 18, 2pm, closing matinee

Tickets

Limited tickets (produced in our Little Theatre)!

Open seating for all performances. Accessible seating is available. Tickets are available at the Box Office 45 minutes before curtain – cash or check only.

• $5: all students, seniors, veterans, and PCC staff
• $10: general public
• We also honor $5 “Arts for All” cards in association with the RACC!

Accommodation requests

PCC is committed to providing access and accommodation for people who experience disabilities. Accommodation requests should be made by emailing or calling Patrick Tangredi (patrick.tangredi@pcc.edu or 971-722-4323). Because some accommodations take time to implement, it is most helpful to receive requests with as much advance notice as possible.

Orlando
By Virginia Woolf, adapted for the stage by Sarah Ruhl.

Story: Orlando, based on the novel by Virginia Woolf, spans over 300 years, during which time the protagonist, Orlando, ages only thirty-six years, and changes gender from a man to a woman.

Performances

Winter 2025

• Thursday, March 6, 11am
• Thursday, March 6, 7pm – pay what you wish matinee
• Friday, March 7, 7pm – audio description
• Saturday, March 8, 7pm – ASL interpretation night
• Sunday, March 9, 2pm

Tickets

Open seating for all performances. Accessible seating is available. Tickets are available at the Box Office 45 minutes before curtain – cash or check only.

• $5: all students, seniors, veterans, and PCC staff
• $10: general public
• We also honor $5 “Arts for All” cards in association with the RACC!

Auditions

Auditions will be held in mid-November. Stay tuned here for more info.

Accommodation request statement

PCC is committed to providing access and accommodation for people who experience disabilities. Accommodation requests should be made by emailing or calling Patrick Tangredi (patrick.tangredi@pcc.edu or 971-722-4323). Because some accommodations take time to implement, it is most helpful to receive requests with as much advance notice as possible.

A Christmas Carol
Adapted for the stage from Charles Dickens’s classic beloved novel.

Performances

Fall 2024

• Thursday, November 21, 11am
• Thursday, November 21, 7pm
• Friday, November 22, 7pm
• Saturday, November 23, 7pm
• Sunday, November 24, 2pm

Tickets

Open seating for all performances. Accessible seating is available. Tickets are available at the Box Office 45 minutes before curtain – cash or check only.

• $5: all students, seniors, veterans, and PCC staff
• $10: general public
• We also honor $5 “Arts for All” cards in association with the RACC!

Auditions

September 25, 2-4pm in the Sylvania Little Theatre or prior by appointment. View the . Contact patrick.tangredi@pcc.edu for more details.

Accommodation request statement

PCC is committed to providing access and accommodation for people who experience disabilities. Accommodation requests should be made by emailing or calling Patrick Tangredi (patrick.tangredi@pcc.edu or 971-722-4323). Because some accommodations take time to implement, it is most helpful to receive requests with as much advance notice as possible.

Forewarning: references to violence, sex, suicide, politics, and the absurdities of life. NOT appropriate for humans under 15.

Performance schedule

• Thursday, May 16: 11am – pay what you wish
• Thursday, May 16: 7pm – opening night!
• Friday, May 17: 7pm – audio described
• Saturday, May 18: 7pm – American Sign Language
• Sunday, May 19: 2pm – closing matinee

For more information, contact patrick.tangredi@pcc.edu.

Accommodation request statement

PCC is committed to providing access and accommodation for people who experience disabilities. Accommodation requests should be made by emailing or calling Patrick Tangredi patrick.tangredi@pcc.edu or 971-722-4323. Because some accommodations take time to implement, it is most helpful to receive requests with as much advance notice as possible.

Parking

When attending a PCC Sylvania performance, please note that on weekdays (Mon-Fri), a parking pass ($2 minimum) pass is required. We suggest parking in Lot 7. Parking passes are not required on weekends. Though you can park in either lots 7 or 9, Lot 9 is the most accessible to the PAC, and Lot 7 has a more reliable parking pass kiosk (according to patrons).

Production schedule

• Friday, March 8, 6:30pm
• Saturday, March 9, 6:30pm – American Sign Language interpretation
• Sunday, March 10, 1pm
• Thursday, March 14, 6:30pm
• Friday, March 15, 6:30pm
• Saturday, March 16, 6:30pm
• Sunday, March 17, 1pm

Little Shop of Horrors plot

Little Shop of Horrors is a horror comedy rock musical that follows a hapless florist shop worker who raises a plant that feeds on human blood and flesh. The musical is loosely based on the low-budget 1960 film of the same title. The music is in the style of early 1960s rock and roll, doo-wop, and early Motown, and includes several well-known tunes, including the title song, “Skid Row (Downtown)”, “Somewhere That’s Green”, and “Suddenly, Seymour”. Let the mayhem begin!

In Sorry, Wrong Number, we meet Mrs. Stephenson, a sickly woman restricted to bed with only a telephone to connect her to her 1943 New York community. When she overhears a murder plot on a crossed line, she races the clock to save an unknown woman from a date with death! Will she succeed? Can she get anyone to believe her? And why is her husband so late in coming home? Come find out!

In The Hitchhiker, young Ronald Adams sets out from 1941 Brooklyn for the sunny shores of California, but he can’t avoid seeing the same Hitchhiker over and over. Is it a trick of the mind, or has Adams entered a different, relentless roadside reality?

In our first live and in-person production since the pandemic, we present these two suspenseful plays, each masterfully focusing on the isolation each character must overcome to avoid their own bitter end.

Trigger warnings high suspense, strangulation, and existential angst.

Running time: 90 minutes including a brief intermission (where you can view our Art Gallery!)

Written by Lucille Fletcher
Directed by Patrick Tangredi
Designed by Dan Hays, Sarah Gahagan, Jmo Moore, and Michael Pfaff

Performances

All performances are in the Little Theatre (SY CT 201) with a running time of 90 minutes, which includes a 20-minute intermission. Cash or check only.

For reservations, call 971-722-4323.

• Thursday, November 17, 11am
• Thursday, November 17, 7pm
• Friday, November 18, 7pm – audio described
• Saturday, November 19, 7pm – ASL interpreted
• Sunday, November 20, 2pm – closing matinee with talkback following

• Music by Gary William Freidman with lyrics by Will Holt
• Directed and produced by Julianne Johnson Weiss and Dan Hays

The Me Nobody Knows is a groundbreaking Tony-nominated and Obie Award-winning musical that has been inspiring and touching audiences throughout the world for generations. Within the envelope of a single day, the show poetically examines the aspirations and fears of a multiracial cast of young people. Inspired by actual writings of students in New York City Public Schools, the stories are universal and can be shared by and with all races. The powerful and contemporary score carries and propels each individuals journey.

The Me depicts the raw and candid experience of a demographic that has a voice not often found in musical theater. Ë¿¹ÏÊÓƵ aspires to bring exceprts from this powerful musical through stage and film. The spirit and themes of The Me, despite having been written nearly 50 years ago, feel completely relevant through today’s lens. In choosing this piece, the desire is to initiate inter-generational conversations reflecting on today and a time not so long ago. Take the journey with us!

Performance schedule and registration

Performances will be held on Zoom and will run approximately 90 minutes, followed by live talkbacks with the director, crew, and cast on our Thursday and Sunday performances! The link for each date below will take you to registration for the live Zoom performance of your choice.

• Thursday, June 9, 6:30pm
  • House opens at 6pm, curtain at 6:30pm
  • Talkback with the actors immediately following the show
• Friday, June 10 (audio description), 6:30pm
  • House opens at 6pm, curtain at 6:30pm
• Saturday, June 11 (ASL interpretation), 6:30pm
  • House opens at 6pm, curtain at 6:30pm
• Sunday, June 12, 1pm
  • Closing matinee, house opens at 12:30pm, curtain at 1pm
  • Talkback with the actors immediately following the show

Tickets

There is no cost for tickets, but we request that you donate to the PCC Theatre Arts Scholarship Fund. Any donation amount is appreciated, and funds help PCC Theatre Arts students pursue their goals in academics. Thank you!

The Odyssey will be produced in two parts, addressing the complex yet rich nature of what it means to return “home” as we all wrestle with racial, economic, and social justice, a post-COVID global existence, a greener environment, and new normals. To this end we’ll be utilizing multiple theatrical and artistic genres to capture and express the many metaphoric meanings of Homer’s epic tale. We ask: Is home a place, a feeling, a community? Join us in coming home, to a place we’ve never been.

Performance schedule

Performances will be held on Zoom and will run approximately 90 minutes, followed by live talkbacks with the director, crew, and cast! Appropriate for all ages.

Registration

The link for each date of The Odyssey Part 1 below will take you to registration for the live Zoom performance of your choice.

Opening night

• Thursday, November 18, 2021, 7pm – house opens at 6:30pm

Friday early showings

• Friday, November 19, 2021, 10am – house opens at 9:45am
• Friday, November 19, 2021, 1pm – house opens at 12:45pm

Weekend showings

• Friday, November 19, 2021, 7pm (audio description) – house opens at 6:30pm
• Saturday, November 20, 2021, 7pm (ASL interpretation) – house opens at 6:30pm
• Sunday, November 21, 2021, 2pm – house opens at 1:30pm

Tickets

In lieu of selling tickets to this production, please consider making a donation to the PCC Theatre Arts Scholarship Fund when registering. Any donation amount is appreciated, and funds help PCC Theatre Arts students pursue their goals in academics. Thank you!

Auditions

You only need to audition once. Readings from the play and an audition form will be available two weeks before – please contact Patrick Tangredi to arrange a time and receive an audition form. Patrick will be auditioning through the first week of fall term.

The Odyssey by Homer Part 2 – Winter 2022

Playing in March, 2022 on Zoom (unless otherwise notified).

The show will run approximately 90 minutes, and is appropriate for all ages. The director, crew, and cast will be live on Zoom after the show.

Performance schedule

The link for each date will take you to register for the live Zoom performance. Performance audiences are limited to 90 households.

• May 20, 7pm – house opens at 6:30pm, curtain at 7pm
• May 21, 7pm – house opens at 6:30pm, curtain at 7pm (audio description)
• May 22, 7pm – house opens at 6:30pm, curtain at 7pm (American Sign Language interpretation)
• May 23, 2pm – house opens at 1:30pm, curtain at 2pm

Tickets

There is no cost for tickets, but we request that you donate the PCC Theatre Arts Scholarship Fund. Any donation amount is appreciated, and funds help PCC Theatre Arts students pursue their goals in academics. Thank you!